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Why Edward Norton Tapped Thom Yorke and Wynton Marsalis for His New Movie, Motherless Brooklyn
In his new adaptation of Jonathan Lethem’s Motherless Brooklyn, Edward Norton plays Lionel Essrog, an orphan detective with Tourette’s syndrome, who wanders the streets of New York attempting to solve the murder of his mentor and father figure. Keep reading »
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Motherless Brooklyn: Original Motion Picture Soundtrack Features New Music From Thom Yorke & Flea, Wynton Marsalis, Daniel Pemberton, And More
WaterTower Music is proud to announce the release of two versions of the song “Daily Battles” from Motherless Brooklyn, the film written, directed and produced by, and starring Edward Norton, and slated for release from Warner Bros. Pictures on November 1, 2019. Keep reading »
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Wynton Marsalis Imagines Buddy Bolden
Nearly 120 years after his heyday in New Orleans, Charles “Buddy” Bolden, the cornet player and bandleader widely credited with inventing jazz at the dawn of the 20th century, may finally be about to get the attention he deserves. Keep reading »
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Wynton Marsalis on Creating Score for ‘Bolden’ Biopic Without Jazz Pioneer’s Music
Jazzman Wynton Marsalis faced one of the most unusual challenges of his career when he agreed to score “Bolden,” the drama based on the life of early jazz pioneer Buddy Bolden: No recordings survive, so Marsalis had to create Bolden’s music from scratch. Keep reading »
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Wynton Marsalis Imagines Buddy Bolden’s Jazz On-Screen: ‘He Was Bringing Fire’
As much as jazz could possibly have an inventor, that person would be Charles “Buddy” Bolden. But although he is celebrated as a seminal figure in jazz at the turn of the 20th century, very little is actually known about the African-American cornetist and composer’s life. There are no existing recordings of Bolden, who spent more than 20 years in an asylum before his death in 1931. Keep reading »
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Director Dan Pritzker Talks About The Long-Awaited Musical Film ‘Bolden’
Coming out this week from Abramorama is the biopic Bolden, who created improvisation in New Orleans in the early 1900’s and pioneered the musical art form we now call JAZZ!!! Directed by Dan Pritzker from a script written by Pritzker and David N. Rothschild, the film stars Gary Carr, Erik LaRay Harvey, Yaya DaCosta, Reno Wilson, Karimah Westbrook, JoNell Kennedy, Robert Ri’chard, Serena Reeder with Michael Rooker and Ian McShane. Keep reading »
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Director Daniel Pritzker talks about his new movie, “Bolden”
We at The Syncopated Times are excited about the potential the new Buddy Bolden movie has to excite people about early jazz, and have made a decision to be there for people who see the movie and want to learn more. As part of our extensive coverage of Buddy Bolden, the man, the legend, and his music, I interviewed the director of the film, Daniel Pritzker. Keep reading »
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Wynton Marsalis To Bring Jazz Pioneer Buddy Bolden’s Life To The Big Screen
The life of the musically gifted and mentally troubled jazz pioneer Buddy Bolden will be brought to the big screen in the reimagined biopic Bolden. Helmed by Daniel Pritzker and executive produced by jazz icon Wynton Marsalis, Gary Carr (HBO’s The Deuce) stars as the talented musician whose life story is widely unknown. Keep reading »
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PBS to air Ken Burns’s “Jackie Robinson” on April 11 and 12, 2016
JACKIE ROBINSON, a new two-part, four-hour documentary directed by Ken Burns, Sarah Burns and David McMahon, will air April 11 and 12, 9:00 p.m. ET on PBS. The film tells the story of Jack Roosevelt Robinson, who rose from humble origins to break baseball’s color barrier and waged a fierce lifelong battle for first-class citizenship for all African Americans that transcends even his remarkable athletic achievements. Keep reading »
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Two beats
Around three-fifteen on a recent afternoon, the trombone player and music producer Delfeayo Marsalis sat in the control room of a studio in the West Fifties and said to his brother Wynton and eleven other musicians, “We’re rolling, this is Take 68.” The musicians were recording “Tournament Galop,” a Romantic piano piece that was written by Louis Moreau Gottschalk, who was born in New Orleans in 1829. Take 67 had been Brahms’s Hungarian Dance No. 6, also written for the piano but arranged in this case for piano and brass. Both pieces will accompany a new silent film, “Louis,” a fictionalized account of the childhood of Louis Armstrong. When “Louis” is shown, in five cities over seven days at the end of August, Marsalis and the others will perform the score live. They were recording the soundtrack for a CD.
Keep reading »