Home» News Updates

News Updates

  • The Freedom to Create

    Posted on January 26th, 1997 in Profiles & Interviews

    Wynton Marsalis learned plenty while writing ‘Blood on the Fields,’ a jazz oratorio reflecting on the slave era. But perhaps the most important lesson was about himself.   Keep reading »

  • The Kennedy Center Honors: The Grand Prize

    Posted on December 9th, 1996 in Review

    Last night’s Kennedy Center Honors gala paid tribute to the artistic journey. Sure, it celebrated playwright Edward Albee, composer and instrumentalist Benny Carter, country music star Johnny Cash, actor Jack Lemmon and dancer Maria Tallchief.   Keep reading »

  • Exuberant Motion And Rollicking Jazz

    Posted on August 9th, 1996 in Review

    ONE of the most brilliant conceits of Lincoln Center Festival ‘96 was the pairing of Judith Jamison, the artistic director of the Alvin Ailey American Dance Theater, and Wynton Marsalis, the artistic director of Jazz at Lincoln Center.   Keep reading »

  • A Marsalis Sampler, Both Brief and Complex

    Posted on August 9th, 1996 in Review

    Connected to Judith Jamison’s fast-moving choreography, Wynton Marsalis’s 30-minute score for the Alvin Ailey American Dance Theater’s ‘‘Sweet Release,’’ performed Wednesday night at the New York State Theater, had little room for the kind of ecstasy implied in its title. In its favor, the piece felt more like a symphony fiendishly edited to fit on one side of an LP.   Keep reading »

  • Wynton Marsalis: Speaking from the Melody

    Posted on July 9th, 1996 in Profiles & Interviews

    Trumpeter, composer, author, leader, public figure, educator, father–musician…. Wynton Marsalis is a man of many hats, too many to list here.   Keep reading »

  • From Duke Ellington, Themes for the Movies

    Posted on May 13th, 1996 in Review

    Immersing oneself in the music of Duke Ellington gives the sense that he did everything that could possibly be done in jazz. His body of work, which starts in 1923 and ends in 1974, is so loaded with ideas that new movement after new movement in jazz could be sustained by continuing down avenues where he ventured for just a few blocks but then went on to something else. Mr. Ellington was restless, and it made his music fertile.   Keep reading »

  • Veteran Saxophonists Show More Than Age

    Posted on April 15th, 1996 in Review

    Against the blank canvas of a neutral rhythm section, eight of the better improvisers in jazz grappled in a cutting contest at Avery Fisher Hall on Friday. Called “Battle Royale: Trumpets and Tenors 2,” it was the public face of what the writer Albert Murray has named “antagonistic cooperation,” where musicians, challenged by their peers, ape pushed into further excellence.   Keep reading »

  • Wynton Marsalis Presents His Spin on World of Jazz

    Posted on April 8th, 1996 in Review

    “Jazz,” Wynton Marsalis says in the opening scenes of Bravo’s “South Bank Show,” “prizes individuality. It teaches you how to project your personality, and how to discover the positive and negative things about yourself.”   Keep reading »

  • Swing-Era Orchestrations Handled With Assurance

    Posted on March 25th, 1996 in Review

    So much is changing so rapidly in the institutional jazz world that Jazz at Lincoln Center’s “Golden Pen,” Saturday’s concert of swing-era arrangements, sounded like a fairly normal programming ploy. Five years ago, the idea to display a series of often-brilliant arrangements might have seemed radical; it is now rare but accepted practice, and the pleasure gained is less from novelty and more from the sensuousness of the music itself.   Keep reading »

  • Changing the Beat

    Posted on March 25th, 1996 in Profiles & Interviews

    New York’s Lincoln Center. For 34 years, home to the world of classical music. Now there’s a new sound in the house. (music) It’s a new sound for Lincoln Center but not a new sound–like Duke Ellington’s New Orleans Suite.   Keep reading »