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  • Modern New Orleans

    Posted on August 23rd, 1982 in Review

    At the Public Theater’s New Orleans-New York jazz concerts on Friday and Saturday, the wind players strolled onto the stage to begin solos, offstage to end them. It was a subtle but direct reminder of the connection between this sextet and the marches and street parades that lend so much New Orleans music its syncopated strut - a tradition that came through the modern harmonies of the sextet’s compositions.   Keep reading »

  • A Modern Kind of New Orleans Jazz In Town

    Posted on August 20th, 1982 in Profiles & Interviews

    JAZZ as we know it began in New Orleans. Black musicians may have been improvising a jazzlike music in other cities and towns in the early years of this century, but Buddy Bolden, King Oliver, Jelly Roll Morton, Sidney Bechet, Louis Armstrong and the other innovators who stamped their identities on the new music and breathed life into it were all New Orleans men.   Keep reading »

  • Trumpeter WYNTON MARSALIS has been hailed as a symbol for the New Decade

    Posted on July 19th, 1982 in Profiles & Interviews

    Trumpeter WYNTON MARSALIS has been hailed as a symbol for the New Decade, and that’s a’lot to live up to. Chrissie Murray brings an insight into this forthright, young spokesman for jazz in the Eighties.   Keep reading »

  • A family of music phenoms

    Posted on May 23rd, 1982 in Profiles & Interviews

    It would require a long journey back into musical history to find a sibling team as precociously talented as the Marsalis Brothers. A couple of years ago they were just a pair of teen-agers unknown outside their New Orleans home, presently they have the hottest and most widely publicized new combo in jazz, a CBS Records contract, and a schedule that takes in festivals around the United States and Europe.   Keep reading »

  • Jazz Families Bridge The Generation Gap

    Posted on May 16th, 1982 in Profiles & Interviews

    During the early decades of jazz it wasn’t at all unusual to find fathers and sons playing together in the same bands and indulging in familial give-and-take - mature musicianship and on-the-job know-how versus youthful innovation and first-time exuberance. In the black neighborhoods of New Orleans and the other cities where jazz flourished early, only the holier-than-thou looked down on music as a profession. It was an honorable route out of the black ghetto, in many cases the only route.   Keep reading »

  • Wynton Marsalis’ Top Brass

    Posted on April 30th, 1982 in Profiles & Interviews

    Virtuosity is rare in both the jazz and classical worlds, and trumpet player Wynton Marsalis is determined to be the best in both of them.   Keep reading »

  • Wynton Marsalis happened to have an ideal role model in his father, the pianist Ellis Marsalis

    Posted on March 19th, 1982 in Profiles & Interviews

    How Wynton Marsalis, keeps his head screwed on straight is beyond me. Such lavish and sustained praise has been aimed at this fine young trumpeter from New Orleans over the last few months that I cannot conceive of any 20-year-old, even one as obviously whole and motivated and self-disciplined as Marsalis, not being affected in a darkly deleterious way.   Keep reading »

  • Wynton Marsalis: At 20, a master of jazz style

    Posted on February 28th, 1982 in Profiles & Interviews

    It’s seldom that any jazz musician - let alone such a very young, not yet widely known player as trumpeter Wynton Marsalis - gets a page to himself in People magazine. But early this year that’s where Marsalis was, under the banner “Personalities to Watch.”   Keep reading »

  • Profile: Wynton Marsalis (Downbeat 1982)

    Posted on January 10th, 1982 in Profiles & Interviews

    When Wynton Marsalis was six years old, his father, Ellis Marsalis, was playing in Al Hirt’s band. At that time, Hirt gave young Wynton a horn. Fourteen years later, Wynton has completed one jazz album, plans to record a classical album, is a full scholarship student at Juilliard, and the winner of the 1981 down beat Critics Poll for talent deserving wider recognition in the trumpet category. Never let it be said that Al Hirt doesn’t know potential when he sees it.   Keep reading »

  • Wynton Marsalis supreme on first disc

    Posted on December 29th, 1981 in Review

    It’s been almost two decades since anyone has electrified the inner circle of the jazz world as much as a young trumpet player from New Orleans named Wynton Marsalis. And a lot of fans are hoping that his prodigious talent can help lift the music ∆°ut of its current depressed state.   Keep reading »