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News Updates – Septet

  • European tour dates for the Wynton Marsalis Septet

    Posted on May 30th, 2003 in Concerts

    This summer, Wynton with his septet will tour Europe from July 5 to August 9.
    He will play in Belgium, Germany, Netherlands, Spain, Italy, Luxembourg, England, Scotland and France. Check out our tour section for the updated schedule.

      Keep reading »

  • New 2003 tour dates for Wynton with the Septet and LCJO

    Posted on April 30th, 2003 in Concerts

    We have just updated all the 2003 tour schedule for Wynton. Now we have new dates with the Wynton Marsalis Septet and the Lincoln Center Jazz Orchestra, during summer and autumn.

      Keep reading »

  • Wynton plays with Joe Lovano

    Posted on April 23rd, 2003 in Concerts

    The Michael Brecker Quartet, Dave Holland Quintet, and the Wynton Marsalis Septet with special guest tenor saxophonist Joe Lovano, will perform in a variety of different combinations at Avery Fisher Hall (Lincoln Center, New York). On April 25, 2003.

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  • Tunes of ‘Glory’

    Posted on December 9th, 2002 in Review

    Ten years ago, the leaders of a South Side church came up with a bold idea: Engage great gospel and pop artists to perform in a holiday concert, invite the public to attend for free and put the show on TV on Christmas day, so that all Chicago could see the glories that unfold at 63rd and Dorchester.   Keep reading »

  • Review: ‘Comin’ Home to Harlem’

    Posted on May 22nd, 2002 in Review

    Host Whoopi Goldberg recalled the tradition and legacy of the historic venue, “where jazz was made and loved, and where swingin’ is revered.” Goldberg contributed an abbreviated history of the Harlem Renaissance, and the innovations in jazz, blues and swing through the last half-century.   Keep reading »

  • Wynton Marsalis: Enhancing the spirit

    Posted on October 28th, 2001 in Review

    Near the end of his first set Wednesday at the Zellerbach Theatre, after his sextet had restated the melody of Thelonious Monk’s “Four in One” and was ready to send it home, Wynton Marsalis stepped up to the microphone looking like he had some unfinished business.   Keep reading »

  • Marsalis’s Stylishly Solid Septet, Feeling Right at Home

    Posted on January 6th, 2000 in Review

    When the Wynton Marsalis Septet played the theme of Thelonious Monk’s ‘‘Hackensack’’ on Tuesday night at the Village Vanguard, every quarter of the four-horn front line carried a controlled, distinct weight. Each musician projected a particular volume and tone, and the sum was a fine, calibrated mix. You could hear it all and marvel at the craft in it.   Keep reading »

  • Wynton Marsalis: Interview by Ted Panken

    Posted on April 14th, 1997 in Profiles & Interviews

    The Reigning Genius of Jazz to his admirers, the Emperor With No Clothes to his debunkers, Wynton Marsalis has attracted public attention and provoked ferociously divergent responses like few musicians in the music’s history. Since his emergence in the early 1980’s as a trumpet virtuoso and composer-bandleader, the result of Marsalis’ choice and treatment of material and his penchant for salty public statements is a public persona akin to a massive lightning rod or magnet that absorbs and repels the roiling opinions and attitudes informing the contemporary Jazz zeitgeist.   Keep reading »

  • Marsalis and His Band Rework Monk and Others

    Posted on February 26th, 1996 in Review

    Wynton Marsalis reconvened his septet, added the clarinetist Michael White and performed the music of Jelly Roll Morton and Thelonious Monk and his own music for a show at Alice Tully Hall on Saturday night. It was hard not to get the idea that there wasn’t much ambition in the program, which is part of the Jazz at Lincoln Center series;   Keep reading »

  • A change of key - His Septet behind him, Marsalis takes a new direction

    Posted on April 9th, 1995 in Profiles & Interviews

    It was one of the most sublime jazz bands of the late ‘80s and early “90s, an ensemble so distinctive in personality, so lustrous in tone and so brilliant in technique as to set a standard toward which other young groups aspired.   Keep reading »