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Wynton Marsalis: The Jazz Review Interview
He’s a busy man, but he’s immaculate - crispest suit I’ve seen in a while, hairline darkened and groomed to a pencilled exactness, the familiar playful smile always hovering around the lips. Keep reading »
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A Hall With Jazz on Its Mind
Jazz at Lincoln Center’s first season in its $128 million new home in the Time Warner Center at Columbus Circle will be a dialogue between the music and where it will be played. Keep reading »
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Wynton talking to Tavis Smiley about his new album: “The Magic Hour”
On March 29 2004, Tavis Smiley, (who has a talk show on PBS) interviewed Wynton for his NPR radio broadcast.
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Downbeat: Wynton’s Empire
It’s the Wynton Marsalis you rarely see. Dressed casually – wire-rim glasses, an untucked blue shirt, jeans and gray-white running shoes – he looks relaxed in the Right Track recording studio in New York. He and pianist Eric Lewis, bassist Carlos Henriquez and drummer Ali Jackson huddle as if they could be discussing strategy for an upcoming four-on-four basketball game. But this is play time of a different sort: rhythm talk in preparation for take 14 of a new Marsalis composition, “Free To Be”, a song with a sunny bounce and syncopated skip. Keep reading »
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Wynton Marsalis on ‘The Magic Hour’ for CNN
Before he’d finished high school, Wynton Marsalis was already a legend in his hometown of New Orleans, Louisiana.
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In the years since, he’s become internationally known, leading the New York-based Lincoln Center Jazz Orchestra and releasing more than 25 albums. His 1997 work, “Blood on the Fields,” won the Pulitzer Prize. -
Marsalis teaches the meaning behind the music
Wynton Marsalis is at his best playing the trumpet, but he’s hardly at his second best when he is talking to young people. Relaxed as he ambles around the stage, he addresses them without notes, using meaningful language, speaking without condescension, and rising to genuine inspiration.
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Kurt Masur talks about Wynton and “All Rise”
“Here is Kurt Masur,” the eminent German conductor said when he telephoned to talk about Wynton Marsalis’s oratorio “All Rise.” This greeting prompted thoughts about how often Masur has been there to make sure that interesting things would happen.
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Commissioning a major work from Marsalis for the New York Philharmonic and the Lincoln Center Jazz Orchestra—two of the major constituents of New York’s Lincoln Center—was Masur’s idea in the first place. And the groundwork for the idea was laid long before Masur had ever heard of Marsalis; indeed before Marsalis was born. More than a half-century ago, as a young musician studying in Leipzig, then sealed off in East Germany, Masur was fascinated by jazz. -
Architect Named For Hall of Fame At Jazz Center
A hall of fame planned for Jazz at Lincoln Center in the new AOL Time Warner headquarters will be designed by David Rockwell, responsible for the look of the Kodak Theater in Los Angeles, the restaurant Nobu in New York and the hit Broadway show ‘‘Hairspray,’’ center officials say.
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Wynton’s Blues - The Atlantic Monthly (March 2003)
Manhattan is empty during the last week of August, and the kind of emptiness it achieves is like that of the mind during meditation—a temporary, unnatural purity. On a Tuesday evening in late August of 2001 I was wandering around Greenwich Village and ended up at the Village Vanguard.
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Blowing up a storm
Born into America’s ‘first family of jazz’, Wynton Marsalis has achieved global success in both traditional and contemporary music as a trumpeter, composer and artistic director. But his purist line and trenchant views on what has been described as ‘black classical music’ have provoked controversy. Maya Jaggi reports Keep reading »