Home» News Updates» Profiles & Interviews

News Updates – Profiles & Interviews

  • It’s the End of the Riff for Wynton Marsalis’s Septet

    Posted on December 1st, 1994 in Profiles & Interviews

    Wynton Marsalis made news in his first set on Tuesday night at the Village Vanguard. Before he began to play, the trumpeter and band leader announced that this week’s engagement would be the last for his septet, one of the most influential and active bands in jazz.   Keep reading »

  • An OffBeat Interview With Wynton Marsalis

    Posted on December 1st, 1994 in Profiles & Interviews

    Wynton Marsalis is a very prolific writer, but most of compositions have been of the musical variety—notes on staffs rather than words on paper. Until now. The New Orleans-born, multiple Grammy-winning trumpeter, widely considered the most influential jazz musician of his generation, has expanded his repertoire by authoring a 192-page hardback book, Sweet Swing Blues on the Road, in collaboration with photographer Frank Stewart. It is due in bookstores on Dec. 12.   Keep reading »

  • Wynton Marsalis trumpets the importance of classic jazz

    Posted on October 16th, 1994 in Profiles & Interviews

    Wynton Marsalis starts off with a simple, definitive statement: “I never use interviews to publicize myself. I like to keep my comments to the music,” he says by phone from his home in New York City. And that he does.   Keep reading »

  • Going a Round With Wynton Marsalis

    Posted on October 13th, 1994 in Profiles & Interviews

    How do you conduct an interview with Wynton Marsalis? Very carefully. The jazz trumpeter and artistic director for Jazz at Lincoln Center has had a long and sometimes contentious relationship with the press.   Keep reading »

  • Marsalis Takes Jazz To Church

    Posted on June 2nd, 1994 in Profiles & Interviews

    Years from now, they’ll still be talking about the concert that lit up a grand old church on the South Side of Chicago. They’ll reminisce about the jazz band that dared to offer a three-hour show from the pulpit of a 19th Century house of worship. They’ll recall how brilliantly the seven musicians played, how frequently the congregation sprang to its feet, how often it fell silent during passages of mystery and reverie.   Keep reading »

  • Ellison Recalled as an Artist of Great Range

    Posted on May 27th, 1994 in Profiles & Interviews

    Hundreds of people who cared about the novelist Ralph Ellison traveled to Washington Heights yesterday to pay their respects to his life and art. They received in return glimpses, small and affectionate, of the man’s expansive soul.   Keep reading »

  • Wynton Rebels by Playing It Straight : Marsalis Scores the Garth Fagan Dance Company, Funk-Free

    Posted on October 19th, 1993 in Profiles & Interviews

    Don’t let the tailored suit and natty tie fool you. Wynton Marsalis sees himself as a rebel. Arriving in town this week for three performances of his “Griot New York” ballet score with the Garth Fagan Dance Company, Marsalis doesn’t understand why he is viewed by many as a jazz traditionalist.   Keep reading »

  • Wynton Marsalis, THE PROFESSOR OF SWING

    Posted on August 14th, 1993 in Profiles & Interviews

    City after city, night after night, it’s the same. The concert ends, the houselights come up. Slowly, as if heeding some selectively intelligible signal, come the kids - _how do they always know to come?_ - one or two to a half dozen, lugging instrument cases.   Keep reading »

  • American Majesty

    Posted on July 9th, 1993 in Profiles & Interviews

    It’s an attractive idea. There in the great fastness of American music, in the still, tranquil centre, stands not a singer or a rapper or a guitarist but a trumpet player. He has a lot on his mind. Great issues such as integration, education and development crowd in on him.   Keep reading »

  • Wynton Marsalis: Adding It All To Jazz

    Posted on April 16th, 1993 in Profiles & Interviews

    WHEN THE Wynton Marsalis Septet visited Wolf Trap last August, the 31-year-old bandleader was easy to spot even from the lawn in his dazzling all-white suit. His trumpet was also easy to pick out with its diamond-sharp statements of melodic themes. It soon became clear, however, that his less-famous bandmates were essential to the exhilarating group improvisations, as they traded phrases with Marsalis as equals.   Keep reading »