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  • Marsalis: Classy Classics

    Posted on November 25th, 1983 in Review

    At age 22, Wynton Marsalis is already a trumpet virtuoso nonpareil: a prince of jazz and—as a recent CBS release of 18th- century concertos makes abundantly clear—a king of the classics.   Keep reading »

  • Wynton Marsalis: Classics From a Tradition of Jazz

    Posted on November 20th, 1983 in Review

    NEW ORLEANS jazz trumpeter Al Hirt used to perform the Haydn Trumpet Concerto with symphony orchestras, and even recorded it with Arthur Fiedler and the Boston Pops for RCA, though his recording is gone from the active catalogue now. Another New Orleans jazzman, Wynton Marsalis, who was 6 years old when he got his first trumpet—from Hirt—recorded the Haydn Concerto recently, and his version is likely to remain a classic for decades.   Keep reading »

  • Marsalis heats up night with one hot trumpet

    Posted on September 23rd, 1983 in Review

    LIKE JACK’S beanstalk, Wynton Marsalis is likely to grow a great deal on any given night. Gifted with a remarkable trumpet technique and a similarly startling musical imagination, Marsalis is, at age 22, already an important artist and one who should continue to develop foe some time to come.   Keep reading »

  • Marsalis, Jazzy AND Classical

    Posted on September 4th, 1983 in Review

    THE THING to remember about trumpet virtuoso Wynton Marsalis is this: he is only 22. And the thing to appreciate about Wynton Marsalis is that he seems to be the only one who remembers this fact.   Keep reading »

  • An Evening Of Jazz Possessed

    Posted on June 20th, 1983 in Review

    Never have such prodigious talents impressed so few at a Robert Mondavi Summer Jazz F estival event. Five jazz geniuses – billed as VSOP II – assembled here to kick off the 14th annual jazz series Sunday night.   Keep reading »

  • Sonny Rollins Meets Wynton Marsalis

    Posted on June 5th, 1983 in Review

    The meeting of the saxophonist Sonny Rollins and the trumpeter Wynton Marsalis finally came to pass Friday night at the Beacon Theater, and it was worth the wait. The concert was originally scheduled last month at Town Hall, but that show got off to a false start when Mr. Rollins fainted early in the first set, shortly after he first locked horns with Mr. Marsalis. It was rescheduled, and ticket holders were offered a choice of refunds or new tickets for the Beacon Theater show.   Keep reading »

  • UC Jazz Festival a sensational show

    Posted on May 31st, 1983 in Review

    THE SECOND of two long, afternoon concerts that constituted the 17th Annual UC-Berkeley Jazz Festival’s Greek Theater shows wound down at 7:15 last night with VSOP II leaving the stage after a 75-minute set while the crowd cheered for more.   Keep reading »

  • Marsalis jazz is marvelous

    Posted on March 7th, 1983 in Review

    In the resurgent wave of jazz that is sweeping the country, and particularly this city, one could accurately consider trumpeter Wynton Marsalis a standard-bearer. In two performances at the Civic Center’s Isthmus Theater Sunday night, Marsalis showed that standard to be of exceptionally high quality.   Keep reading »

  • Wynton Marsalis Quintet at Blues Alley

    Posted on January 26th, 1983 in Review

    As Wynton Marsalis no doubt knows, nothing is potentially more dangerous in the arts than early critical acclaim. Last year the young trumpeter skyrocketed from the ranks of promising newcomers to become the recipient of several prestigious jazz awards. Now he’s faced with the challenge of living up to those honors and the ensuing publicity.   Keep reading »

  • Modern New Orleans

    Posted on August 23rd, 1982 in Review

    At the Public Theater’s New Orleans-New York jazz concerts on Friday and Saturday, the wind players strolled onto the stage to begin solos, offstage to end them. It was a subtle but direct reminder of the connection between this sextet and the marches and street parades that lend so much New Orleans music its syncopated strut - a tradition that came through the modern harmonies of the sextet’s compositions.   Keep reading »