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News Updates – New York

  • Kareem Adbul-Jabbar, Wynton Marsalis and More Set for Up2Us Inaugural Gala

    Posted on May 16th, 2013 in News

    Up2Us (up2us.org), a New York based not-for-profit organization, will be holding its inaugural gala dinner at Tribeca Rooftop in New York City on June 4. The event will benefit the organization’s mission to advance sports as the solution to the obesity, youth violence and educational challenges facing America’s youth today. Internationally acclaimed musician and composer Wynton Marsalis will present Kareem Abdul-Jabbar with the Legacy Award, recognizing the NBA hall of famer for his 20-plus years of contribution to sport, education, and humanitarian efforts.

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  • Jazz at Lincoln Center honors the music of Chick Corea

    Posted on May 13th, 2013 in Concerts | 1

    Jazz at Lincoln Center honors one of music’s most timeless innovators, the fusion pioneer and social humanitarian Chick Corea, with the Chick Corea Festival.
    Corea will be celebrated during JALC’s 25th anniversary season with concerts and events in each performance space throughout JALC’s home, Frederick P. Rose Hall.

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  • Winners of 18th Essentially Ellington Competition 2013

    Posted on May 13th, 2013 in News

    New York, NY (May 12, 2013) Tonight, Jazz at Lincoln Center proudly announced the high school jazz bands in the nation who took the highest honors at the prestigious 18th Annual Essentially Ellington High School Jazz Band Competition & Festival (EE) at Frederick P. Rose Hall, home of Jazz at Lincoln Center.

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  • Rolling Stone: Crosby, Stills and Nash Work Out With Jazz at Lincoln Center Orchestra

    Posted on May 6th, 2013 in Review

    On January 27th, 1970, Miles Davis recorded a version of the medieval whisper “Guinevere” from Crosby, Stills and Nash’s 1969 debut album, Crosby, Stills & Nash. Davis’ take was in the manner of his recently-cut, not-yet-released album, Bitches Brew – 18 minutes of electric turmoil with a buzzing current of sitar and only passing references to David Crosby’s original melody. It was a rare instance of Davis losing his way in an astutely chosen song. His “Guinevere” stayed in the can until 1979, when it appeared on the anthology Circle in the Round.   Keep reading »

  • Essentially Ellington 2013 live webcasts schedule

    Posted on May 2nd, 2013 in Concerts | 1

    On May 10/11/12, the entire weekend of Essentially Ellington events, will be webcast live on: http://wyntonmarsalis.org/live
    Check out the full schedule (all times EDT)

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  • Celebrating Duke Ellington featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis

    Posted on April 23rd, 2013 in Concerts | 2

    Since 1988, when Wynton Marsalis coalesced his septet with Duke Ellington alumni Jimmy Hamilton, Willie Cook, Jimmy Woode, Norris Turney, Britt Woodman, and Joe Temperley (still an active member of the JLCO and performer at this event) to form the first edition of the Lincoln Center Jazz Orchestra, Ellington’s oeuvre has been fundamental to Marsalis’ mission and conception.
    Continuing in this vein, the Jazz at Lincoln Center Orchestra with Wynton Marsalis will draw from its deep well of Ellingtonia, rendering the maestro’s essence with a forceful, idiomatic clarity that reflects the JLCO’s abiding immersion in his language.

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  • Sondheim and Marsalis to Collaborate on Show for City Center

    Posted on April 22nd, 2013 in Concerts

    Stephen Sondheim and Wynton Marsalis are collaborating on a new show to be staged at the New York City Center next November that will feature jazz interpretations of Mr. Sondheim’s love songs.
    The show, “A Bed and a Chair: A New York Love Story,” marks the first time Mr. Sondheim, one of musical theater’s great lyricists and composers, and Mr. Marsalis, the master jazz trumpeter, have worked together.

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  • Jazz At Lincoln Center Launches New Tuition Free Education Program

    Posted on April 11th, 2013 in News

    Jazz at Lincoln Center launches the Jazz at Lincoln Center Youth Orchestra (JLCYO) program, a new tuition free initiative for local students.
    Twenty high school student musicians from the tri-state area (New York, New Jersey, Connecticut) who meet the program admission requirements will be selected to comprise the JLCYO.  The musicians will be provided with the opportunity to enhance their musical education with the finest professional training and performance opportunities.  Applications are due on Friday, May 10th.

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  • Jazz at Lincoln Center Announces 2013-14 Season

    Posted on February 27th, 2013 in Concerts

    New York, NY (February 27, 2013)  Today Jazz at Lincoln Center announced its 2013-14 Concert and Education Season which boasts a diverse range of artistry and embodies the concept “all jazz is modern” (see attached chronology).  Compelling new programs, concerts, and series feature some of today’s finest musicians performing in Rose Theater, The Allen Room and Dizzy’s Club Coca-Cola at Jazz at Lincoln Center’s Frederick P. Rose Hall, which the Wall Street Journal called a “crowning achievement of Jazz at Lincoln Center’s remarkable rise from a three-concert 1987 series dubbed ‘Classical Jazz’ to a full constituent within Lincoln Center.

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  • An Oratorio of History With History of Its Own

    Posted on February 25th, 2013 in Review

    By the time of Wynton Marsalis’s 1994 oratorio, “Blood on the Fields,” written for three singers and a 15-piece band, his scale for musical structure and organizational planning was big and getting bigger.
    He was 32 then. Jazz at Lincoln Center hadn’t yet become a constituent part of the larger Lincoln Center organization, and the idea of a dedicated theater for jazz hadn’t even been proposed. But he had already written extended works and had developed a framework for identifying and explaining jazz’s standards of excellence, and for linking the music to the history of black Americans and the notion of cultural survival. Never before had such power resided within one jazz musician, and those who doubted him wanted to be impressed on every possible level — especially after “Blood” won the 1997 Pulitzer Prize for music.

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