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New Yorkers salute groundbreaking night with glittering eloquence
New York’s Jazz at Lincoln Center Orchestra amble on to the Barbican’s stage every couple of years and are always greeted by delighted audiences as if they were long-lost relatives bearing gifts. Tuesday’s curtain-raiser to the jazz orchestra’s current residency was a typically graceful blend of swing grooves that ticked over like an immense and perfectly balanced engine, ensemble parts played with languid rigour, and concise improv that both embellishes compositions and cherishes their shapes. The night’s theme was the tightly drilled but expansive 30s big-band jazz of Benny Goodman – the most ecstatically popular western dance phenomenon until the coming of rock’n’roll – which those long-honed JLCO virtues could hardly have fitted better. Keep reading »
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Bernstein at 100 @ Barbican Hall, London
The Jazz at Lincoln Center Orchestra is one of the Barbican’s International Associates, and this concert of music by Leonard Bernstein, whose centenary falls this year, showed exactly why it enjoys the same official standing as the New York Philharmonic and Leipzig Gewandhaus. Keep reading »
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Wynton Marsalis on Why Jazz is Good for Your Soul
One of the magical things about living in NYC is that on an ordinary Wednesday night you can sit in an audience and hear one of contemporary jazz’s great musicians. Not play his instrument – no, that you can experience any place the musician may be touring. Keep reading »
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How Wynton Marsalis is like Mozart - and why his concerto in Philly is for violin, not trumpet
Supposedly running 50 minutes at its 2015 London premiere, the concerto would seem to be one of the longest pieces of its kind. Now that it’s arriving for Philadelphia Orchestra concerts Thursday through Saturday at the Kimmel Center, the piece has a more Brahmsian length of 40 minutes. Rest assured, though, this concerto doesn’t sound like Brahms. Keep reading »
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Music and meaning, the Marsalis way
“In a few minutes, we are going to talk about improvisation. You are about to see it,” Harvard President Drew Faust told the crowd at Sanders Theatre on Monday evening as jazz great Wynton Marsalis took up his trumpet. Keep reading »
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With Faust, Wynton Marsalis Reflects on Power of Music
Trumpeter and composer Wynton L. Marsalis improvised some blues with the Harvard Jazz Band before reflecting on the value of education for both the arts and society with University President Drew G. Faust in a crowded Sanders Theatre Monday night. Keep reading »
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Marsalis and JLCO celebrate Morton and Lewis
Let no one doubt that Wynton Marsalis and the Jazz at Lincoln Center Orchestra aim to educate as well as entertain. That much was inescapable from their residency over the weekend in Orchestra Hall, where Marsalis and friends kicked off Symphony Center’s jazz series with rigorous examinations of the work of two jazz giants. Keep reading »
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Wynton Marsalis, Lincoln Center crew evoke class and artistry of Ellington
Trumpeter Wynton Marsalis and the Jazz at Lincoln Center Orchestra offered up an unforgettable concert of creative, tight, thoroughly involving jazz at the Marcus Center’s Uihlein Hall Wednesday evening, Part of the completely disarming charm of this 15-piece big band is the fun they appear to be having. Keep reading »
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In Season Opener, Marsalis & JLCO Pay Tribute to Jelly Roll Morton
“The Fantastic Mr. Jelly Lord,” the all-Jelly Roll Morton concert that opened the 2017 season of the Jazz at Lincoln Center Orchestra, revealed the continued relevance of the great New Orleans maestro and was as good a case as any for Wynton Marsalis’ credo that “all jazz is modern.” Keep reading »
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All Rise: Strathmore’s Most Ambitious Production of the Season
The rehearsal for Strathmore’s biggest production of the 2016-2017 season is going smoothly—for the most part. During a break between movements, conductor William Eddins chastises the choir for seeming distracted. “Tomorrow,” he says, “I want all eyes on me.” Keep reading »
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