Feijoada and Fixed Do and Flute
When I first moved to New York, I studied ear training with the great Cuban maestro Alberto Socarras. I think Socarras was the first one to tell me about the master of choro— Pixinguinha (who is to Brazilians what Scott Joplin is,or should be, to Americans). Both Socarras and Pixinguinha played the hell out of the flute.
Kent Jordan (who made me practice as a teenager leading by example) plays an unbelievably virtuosic New Orleans flute. (He played on the first ballet I composed for the New York City Ballet,' Jazz Six Syncopated Movements'). I wrote an impossible to play part for him and he didn't even blink at it.
New Orleans people are related to Cubans through red beans and rice and to Brazilians through feijoada and Carnival…..and sometimes through flute.
Socarras would have loved Kent.
I'm writing a flute part right now.
Pixinguinha would have loved him too.