-
Wynton Marsalis going strong at 50
By jazz standards, 50 is young — at least when you consider that pioneers such as saxophonist Benny Carter and trumpeter Doc Cheatham were playing beautifully into their 90s. Keep reading »
-
‘Congo Square’ a dialogue of eras
When Wynton Marsalis rocketed to stardom in the 1980s, he seemed poised to enjoy a long career as a hyper-virtuoso trumpeter.
Though Marsalis remains a top-flight soloist, it’s his work as composer of epic scores that more deeply defines his art. Clearly, no one else in recent jazz history has produced a comparable list of vast compositions, including the thunderous “All Rise” (performed earlier this year by the Chicago Symphony Orchestra), the incantatory “In This House, On This Morning” (a jazz evocation of a gospel church service) and the incendiary “Blood on the Fields” (the first jazz composition to win the Pulitzer Prize in music, in 1997).
Keep reading » -
Marsalis blasts political and societal inequities
For those who think of Wynton Marsalis as a purveyor of gauzy romantic ballads and composer of epic symphonic works, the trumpeter has a surprise in store. “From the Plantation to the Penitentiary,” to be released Tuesday on Blue Note Records, ranks as Marsalis’ most explicitly political statement to date, even as it draws on themes from earlier recordings. Keep reading »
-
CSO thunders gloriously with Marsalis’ `All Rise’
Call it a tonic for troubled times.
Keep reading »
Wynton Marsalis’ “All Rise”—an epic work that addresses fundamental questions of faith, crisis and deliverance—does not go gently into the night. -
Wynton’s woes
Wynton Marsalis is the first jazz musician to win the Pulitzer Prize in music. He’s got a basketful of Grammys. And he’s become the music director of the Lincoln Center Jazz Orchestra, which lands in Chicago for two gigs this weekend.
Keep reading »
So is there anything he can’t do? You bet. He can’t get his kids to stay awake during a symphony concert. -
Marlsais’ young players bask in the spotlight
It may be a bit early to place Wynton Marsalis firmly in the same role as drummer Art Blakey, whose Jazz Messengers band helped launch the careers of many great young artists (including Marsalis himself). Keep reading »
-
Pulitzer changes put the emphasis on American music
In American journalism, the Pulitzer Prize towers over all other honors. In literature and drama, it conveys palpable prestige and often spikes sales.And in music . . . well, to put it kindly, the award has a checkered past. Keep reading »
-
Marsalis hinting at introspective change of pace
Chicagoans have heard trumpeter Wynton Marsalis fronting all manner of ensembles, from the choral-orchestral forces that performed his oratorio “Blood on the Fields” to the radiant septet that played his devotional instrumental suite “In This House, On This Morning.” Keep reading »
-
Tunes of ‘Glory’
Ten years ago, the leaders of a South Side church came up with a bold idea: Engage great gospel and pop artists to perform in a holiday concert, invite the public to attend for free and put the show on TV on Christmas day, so that all Chicago could see the glories that unfold at 63rd and Dorchester. Keep reading »
-
Marsalis has a kick with kids
Sophisticated jazz isn’t for adults only, as Wynton Marsalis and the Lincoln Center Jazz Orchestra clearly established over the weekend at Symphony Center. The occasion of Marsalis, the leading jazz musician of his generation, sharing the stage with at least 30 kids from the audience—and trying to teach them the basics of improvisation—had to be seen to be believed. Keep reading »