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News Updates – October 2013

  • Jazz at Lincoln Center Swings in The Holidays

    Posted on October 31st, 2013 in Concerts

    This holiday season, Jazz at Lincoln Center brings back Big Band Holidays, a favorite seasonal tradition in Rose Theater, and the second annual Ring In The Swing: A New Year’s Eve Dance Party, the organization’s swing dance party and concert, in The Allen Room.

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  • Wynton Marsalis to become Director of Jazz Studies of Juilliard

    Posted on October 28th, 2013 in News | 2

    The Juilliard School and Jazz at Lincoln Center today jointly announced that Wynton Marsalis, Jazz at Lincoln Center’s Managing & Artistic Director and a Juilliard alumnus, will become Director of Jazz Studies at Juilliard beginning July 1, 2014.

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  • Wynton Marsalis gives spirited take on jazz with ‘Abyssinian Mass’

    Posted on October 24th, 2013 in Profiles & Interviews

    Wynton Marsalis is onto something big. Again. The composer, trumpeter, bandleader, and all-around high priest among contemporary jazz advocates is accustomed to working on a large scale — in terms of compositional scope as well as ensemble size.   Keep reading »

  • “Abyssinian: A Gospel Celebration” - Live Webcasts From The House of Swing

    Posted on October 23rd, 2013 in Concerts | 1

    Raise your voices and lift your hearts as the Jazz at Lincoln Center Orchestra with Wynton Marsalis, Damien Sneed, and the 70-piece Chorale Le Chateau webcast live only Abyssinian: A Gospel Celebration, an historic hand–clappin’, tambourine-slappin’ celebration scheduled to take place October 24th, 25th and 26th at 8PM ET.

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  • Wynton Marsalis at Webster: ‘Be Real for Real’

    Posted on October 21st, 2013 in Review

    Jazz legend Wynton Marsalis shared stories from his music career, his views on jazz and his philosophy on life with a full house at Webster University’s Community Music School Friday, Oct. 18.   Keep reading »

  • Wynton Marsalis Goes Back To Church For ‘Abyssinian Mass’

    Posted on October 19th, 2013 in Profiles & Interviews

    Wynton Marsalis is sipping hot tea in a church conference room before the evening’s performance. His custom-made Monette Raja trumpet — with its built-in mouthpiece and black opal inlays — sits by his side. He’s riffing on one of his favorite subjects: the universality of rhythm.
    “That rolling 6/8 rhythm is in African religious music, it’s in Anglican religious music,” he says, humming a complicated pattern and tapping his fingers on his notebook. “In a slower tempo it would be ‘Greensleeves.’” He scats the melody. “Now stay in that time, here’s the African 6/8 ... now let’s go into the jazz shuffle.” More tapping. “It’s the same rhythm.”

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  • Wynton Marsalis Toots His Own Horn

    Posted on October 8th, 2013 in Profiles & Interviews

    Yes, Wynton Marsalis has soul. The knee-jerk criticism of the 51-year-old jazz trumpeter ever since his self-titled 1981 album has been that, while always technically impeccable, his playing lacks soulful spirit. “I’ve never heard anything Wynton played sound like it meant anything at all,” pianist Keith Jarrett once told The New York Times. And so it’s somewhat ironic that this month should see the debut of both The Spiritual Side of Wynton Marsalis (a collection of spiritually inspired works) and Abyssian: A Gospel Celebration, a nationwide tour.

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