Home » News

News – Yacub Addy

  • Drummer Yacub Addy dies

    Posted on January 22nd, 2015 in News | 1

    Ghanaian drummer Yacub Addy, a master of African music who founded Odadaa!, worked with jazz trumpeter Wynton Marsalis and became a National Heritage Fellow in 2010, died of a heart attack on Dec. 18 at the age of 83. He lived in Latham.   Keep reading »

  • The Telegraph: Jazz at Lincoln Center Orchestra/Congo Square, Barbican, review

    Posted on July 12th, 2012 in Review | 0

    Wynton Marsalis, the celebrated American trumpeter, composer and band-leader, likes to think big. For him jazz is virtuoso musicality, uproarious enjoyment, spiritual edification and cultural memory, all rolled into one. To fulfil that vision he’s created several ambitious multi-movement suites for the Jazz at Lincoln Center Orchestra. One of them, Congo Square, opened the orchestra’s current residency at the Barbican.   Keep reading »

  • Evening Standard: Congo Square: Wynton Marsalis & the Lincoln Center Jazz Orchestra, Barbican Hall

    Posted on July 12th, 2012 in Review | 0

    Congo Square is a quiet spot in north-central New Orleans, near Louis Armstrong Park. Tourists take pictures of Louis’s statue there before lunching in the French Quarter. Little over a century earlier, however, it had a very different function.   Keep reading »

  • Jazz Journal: Wynton Marsalis/Congo Square

    Posted on July 12th, 2012 in Review | 0

    Wynton Marsalis and the Jazz At Lincoln Center Orchestra opened their 2012 residency at London’s Barbican Centre yesterday evening with a superb performance that celebrated the very birth of jazz in company with Ghanian drummer Yacub Addy and the band Odadaa! Congo Square was the public space in New Orleans where African slaves gathered on Sunday afternoons to dance and play, and was the only place in the USA where they could gather freely and celebrate their own music and culture. Inspired by this activity between the mid-1700s and the late 1800s, Marsalis and Ghanaian drum master Yacub Addy’s two-hour suite Congo Square celebrates the joy of that music and marks its influence on the jazz that followed.   Keep reading »

  • The Guardian: Wynton Marsalis with JLCO and Odadaa” at Barbican

    Posted on July 12th, 2012 in Review | 1

    Wynton Marsalis is famously resistant to notions of jazz-fusion. He has denounced attempts to dilute jazz by using funk or rock rhythms, always loudly asserting the primacy of swing in the jazz tradition. African rhythms, however, are rather more problematic for him. These rhythms do not swing in the traditional sense: they do not use swung quavers. Musicologically, they’re as far from his notion of jazz as, say, heavy metal. Yet they are undeniably part of jazz’s DNA.   Keep reading »

  • Congo Square: Wynton Marsalis & the Lincoln Center Jazz Orchestra, Barbican Hall

    Posted on July 11th, 2012 in Review | 0

    The proud son of New Orleans leads New York’s finest jazz repertory orchestra in his latest work inspired by Louisiana slave culture   Keep reading »

  • Heat combo: When Wynton Marsalis met Yacub Addy

    Posted on July 9th, 2012 in Profiles & Interviews | 0

    We first saw Wynton Marsalis on television soloing with a symphony orchestra in 1981. The announcer said he came from New Orleans. “I’m going to work with this man,” my husband Yacub Addy said. I was surprised because Yacub is a traditional Ghanaian drummer of the Ga ethnic group. I couldn’t visualise him working with this classically trained trumpeter, although Wynton is known for jazz, which Yacub loved since he was a teenager in Ghana, dancing to American big band hits on the streets of Accra. His music led him from Ghana to Europe and America, where in 1982, as an artist and manager team, we created his current Ghanaian ensemble Odadaa!.   Keep reading »

  • Wynton’s interview on the Telegraph: It don’t mean a thing if it ain’t got swing

    Posted on July 9th, 2012 in Profiles & Interviews | 0

    Being with Wynton Marsalis is always an education. He’s happiest when he can enthuse about something, or learn something new from whoever he’s speaking to. Right now, sitting over lunch in a Japanese restaurant in New York, he’s off on the topic of jazz’s Anglo-Celtic roots. “Those folk songs and hymns the slaves learnt from their masters were the real basis, the African element was grafted on top, not the other way round,” he says very firmly, “and this is why African and jazz rhythms developed in a different way. Listen, if you clap a marching rhythm, one-two-three-four, you can fit a swing rhythm over the top, like this.”   Keep reading »

  • Congo Square trailer available for download

    Posted on May 16th, 2008 in Video | 4

    The new Congo Square DVD is in stores, as you know, and we are able to show you a trailer through our podcast. The new video-clip is available directly from our podcast on iTunes Music Store (open directly in iTunes). If you are already subscribed to the podcast, simply update your subscription on iTunes to download the new video automatically. If you are not subscribed, subscribe to Wynton’s podcast for free on iTunes Music Store, to download the Congo Square trailer and many other interesting video clips automatically (advised).   Keep reading »

  • Congo Square’s Sanctified Blues promoted at Stanford University

    Posted on February 4th, 2008 in News | 0

    The deal will allow Stanford faculty, staff, students and Lively Arts patrons to download music by artists featured in the upcoming Lively Arts season using free iTunes gift cards. From now through March 15, the cards will be made available to patrons at all Lively Arts performances and to customers at the Stanford Bookstore, Tresidder Express, the Track House Sport Shop, the Cantor Arts Center Gift Shop and the Stanford Shop at Stanford Shopping Center. Lively Arts plans to mail the cards to Stanford students, faculty and staff in early February and will make the cards available to its community partners, including the Palo Alto Unified School District and East Palo Alto’s educational program College Track.   Keep reading »