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  • Jazz At Lincoln Center Launches New Tuition Free Education Program

    Posted on April 11th, 2013 in News | 0

    Jazz at Lincoln Center launches the Jazz at Lincoln Center Youth Orchestra (JLCYO) program, a new tuition free initiative for local students. Twenty high school student musicians from the tri-state area (New York, New Jersey, Connecticut) who meet the program admission requirements will be selected to comprise the JLCYO.  The musicians will be provided with the opportunity to enhance their musical education with the finest professional training and performance opportunities.  Applications are due on Friday, May 10th.   Keep reading »

  • An Oratorio of History With History of Its Own

    Posted on February 25th, 2013 in Review | 0

    By the time of Wynton Marsalis’s 1994 oratorio, “Blood on the Fields,” written for three singers and a 15-piece band, his scale for musical structure and organizational planning was big and getting bigger. He was 32 then. Jazz at Lincoln Center hadn’t yet become a constituent part of the larger Lincoln Center organization, and the idea of a dedicated theater for jazz hadn’t even been proposed. But he had already written extended works and had developed a framework for identifying and explaining jazz’s standards of excellence, and for linking the music to the history of black Americans and the notion of cultural survival. Never before had such power resided within one jazz musician, and those who doubted him wanted to be impressed on every possible level — especially after “Blood” won the 1997 Pulitzer Prize for music.   Keep reading »

  • Live webcast: Wynton Marsalis with Bobby McFerrin and Jazz at Lincoln Center Orchestra

    Posted on September 13th, 2012 in Concerts, Streaming | 2

    Two years after his acclaimed debut at Jazz at Lincoln Center, Bobby McFerrin returns to open our 25th Anniversary Season, performing for the first time with the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Don’t miss this rare opportunity to watch a live webcast of Bobby McFerrin: My Audio Biography.   Keep reading »

  • Wynton’s interview on EBONY - Entertainment and Culture

    Posted on September 6th, 2012 in Interview | 0

    In 1987, Grammy Award-winning trumpeter Wynton Marsalis directed a summer concert series entitled “Classical Jazz at Lincoln Center” in New York City. That modest series has grown into the impressive, multi-venue performance venue known as Jazz at Lincoln Center: the world’s largest not-for-profit arts organization dedicated to jazz in the world, with year-round concerts, educational events, band competitions, film programs and multimedia broadcasts and webcasts. As JALC prepares to celebrate its twenty-fifth anniversary with its season premiere later this month, EBONY talked with Marsalis, who serves as JALC’s Managing and Artistic Director, about the venue’s evolution, his uncompromising devotion to the music and his continuing mission to spread the gospel of jazz…by any digital means necessary.   Keep reading »

  • Wynton Marsalis plays homage to Von Freeman

    Posted on August 31st, 2012 in Articles | 0

    Just moments after Wynton Marsalis took the stage of Orchestra Hall on Tuesday night he addressed a subject on many people’s minds: Chicago tenor saxophonist Von Freeman, who died earlier this month at age 88. “He was a legend,” Marsalis told a crowded house, while a memorial service for Freeman was being held across town, at Christ Universal Temple, on South Ashland Avenue.   Keep reading »

  • Jazz at Lincoln Center Orchestra with Wynton Marsalis 
and Bobby McFerrin opening night concerts

    Posted on August 31st, 2012 in Concerts | 0

    On September 13-15 at 8pm in Rose Theater, Bobby McFerrin returns to Jazz at Lincoln Center to perform, for the first time, with the Jazz at Lincoln Center Orchestra with Wynton Marsalis. This opening night concert will explore the wide-reaching influences that have shaped McFerrin’s unprecedented musical approach and will feature new arrangements by members of the Jazz at Lincoln Center Orchestra.  On September 13, following the opening night concert, the organization will open its doors to the public for a post-concert celebration featuring a cash bar and a free performance by drummer Bryan Carter and his band in The Atrium.   Keep reading »

  • Watch “Swing Symphony” LIVE from Marciac, France

    Posted on July 31st, 2012 in Streaming | 0

    Join Wynton, and the Jazz at Lincoln Center Orchestra in Marciac France for a LIVE performance from the comfort of your living room. They will be performing Swing Symphony with Orchestre National du Capitole de Toulouse, under the direction of Wayne Marshall.   Keep reading »

  • The Telegraph: Jazz at Lincoln Center Orchestra/Congo Square, Barbican, review

    Posted on July 12th, 2012 in Review | 0

    Wynton Marsalis, the celebrated American trumpeter, composer and band-leader, likes to think big. For him jazz is virtuoso musicality, uproarious enjoyment, spiritual edification and cultural memory, all rolled into one. To fulfil that vision he’s created several ambitious multi-movement suites for the Jazz at Lincoln Center Orchestra. One of them, Congo Square, opened the orchestra’s current residency at the Barbican.   Keep reading »

  • Evening Standard: Congo Square: Wynton Marsalis & the Lincoln Center Jazz Orchestra, Barbican Hall

    Posted on July 12th, 2012 in Review | 0

    Congo Square is a quiet spot in north-central New Orleans, near Louis Armstrong Park. Tourists take pictures of Louis’s statue there before lunching in the French Quarter. Little over a century earlier, however, it had a very different function.   Keep reading »

  • Jazz Journal: Wynton Marsalis/Congo Square

    Posted on July 12th, 2012 in Review | 0

    Wynton Marsalis and the Jazz At Lincoln Center Orchestra opened their 2012 residency at London’s Barbican Centre yesterday evening with a superb performance that celebrated the very birth of jazz in company with Ghanian drummer Yacub Addy and the band Odadaa! Congo Square was the public space in New Orleans where African slaves gathered on Sunday afternoons to dance and play, and was the only place in the USA where they could gather freely and celebrate their own music and culture. Inspired by this activity between the mid-1700s and the late 1800s, Marsalis and Ghanaian drum master Yacub Addy’s two-hour suite Congo Square celebrates the joy of that music and marks its influence on the jazz that followed.   Keep reading »