Posted on February 14th, 2011 | 0

I called Chris Beiderbecke last night in response to his comments about this sentence in my post 'Egyptian Blues':

"From Buddy Bolden's first revolutionary notes, to Bix Beiderbecke's decision to play this music in spite of his family's disrespect of 'nigger music', to Benny Goodman's historic integration of his band (before baseball), to John Coltrane's 'Alabama', jazz musicians have always known—-when YOU are free, I become more so."
I apologized to him and his family for the justifiable misunderstanding caused by the quotations in this sentence. My quote around the term 'nigger music' was meant to indicate that this was a prevalent national sentiment about jazz at that time, not to imply that it was a direct statement from or teachings of Bix's parents. I extend this apology also to any others who may have misinterpreted my intended meaning. I used Bix's decision to play this music in spite of his family's lack of support AND the obvious cultural obstacles, as an example of a personal quest for freedom through jazz. In combining his family's concerns with the national attitudes about jazz at that time, I gave an unintended inference. One of the beauties of this forum is that it allows people who would never meet or speak to one another to communicate freely without the cloak of anonymity. I enjoyed the conversation with Chris and always welcome comments that spark meaningful dialogue. Thank you. Wynton